Another great musician has gone. Unlike many of the other deaths of musicians this year, Guy Clark’s passing does not come as a great surprise. Anyone who had been following his progress in recent years knew he’d had a tough time health-wise and that he hadn’t been in great shape for a while. Clark was a fabulous songwriter – for me, one of the very best – and a great singer and guitarist to boot. His writing, singing and playing voices came together in a united front suited brilliantly to the soundtracking of lives, his and those of others. My adult life has been soundtracked by his music and his songs have informed my understanding of life writing more generally. Much of what I said about Merle Haggard following his death could be said for Clark, but for me Clark feels even more personal, probably due to the greater length of time I’ve been listening to him. Old No. 1, Clark’s debut album, has been one of my most consistently played albums since I first encountered it more than a quarter of a century ago. It has offered different layers of sounded experience over time and sounds a bit different each time I return to it. It will sound altered again when I next play it, especially after this news.
As I said about Haggard, I’ve wanted to write about Clark for some time, but some artists seem too damned close; it’s hard to know where to start. I believe I will write about him in time (and time will doubtless be my theme) but for now, during this first day of processing the knowledge that he’s gone, I’ll leave it to others who knew him well to record the life (the obituary in The Tennessean is the most detailed I’ve read so far, while these reflections from Wayne Price get to the heart of why Clark mattered so much to so many of us) and I’ll merely post some pictures of the traces he’s left in my life, the objects by which I know him. Clark was a great poet of objects and their role in our lives (witness ‘The Randall Knife’, ‘The Carpenter’, ‘Indian Head Penny’, ‘My Favorite Picture of You’) so this seems fitting.