To date, I’ve written four books, on Portuguese fado music for Ashgate (Fado and the Place of Longing, 2010), on Nina Simone for Equinox’s ‘Icons of Popular Music’ series (Nina Simone, 2013), on the representation of time, age and experience in popular music for Bloomsbury Academic (The Late Voice, 2015), and on the role of sound in creating, maintaining and disrupting sense (The Sound of Nonsense, Bloomsbury Academic, 2018).
