I will be presenting my current research at the University of York on Wednesday 27 January as part of the Music Department’s research seminar series. My talk is entitled ‘Be-bop-sh-boom-a-langa-langa-doo-wop: Pop’s Love of Nonsense’ and it relates to my current research project ‘The Sound of Nonsense’. Abstract below.
In this paper I explore popular music’s obsession with nonsense, focussing on the relationship between words, voice, sounds and sense. I discuss scat singing, vocalese, doo wop, early rock n roll, yodelling, sampling, hip hop, ‘arty’ popular singer-songwriters (Bob Dylan, Robert Wyatt, David Byrne), and artists such as Magma and Sigur Rós who have created their own languages in which to sing. Pop’s fondness for self-reflexivity, parody and wordplay is considered via the work of ‘Weird Al’ Yankovic, in particular his song ‘Bob’, which offers a parody of Bob Dylan’s already nonsensical ‘Subterranean Homesick Blues’ consisting entirely of palindromes. This presentation draws upon research undertaken for my current research project ‘The Sound of Nonsense’ and I will explain how this specifically pop-focussed element connects to the broader exploration of nonsense literature, experimental writing, sound poetry, comedy and music.